Drawing from State of Motion’s thematic premise that zooms in on the perceptions of Singapore through cinema’s gaze, the design uses obscuration and light projections that cuts across the pavilion space and print collaterals that plays with the gesture of ‘looking’. The projection lines also intersect across some instances to form a visualisation of an eye. Echoing the exhibition pavilion by artist Randy Chan, the fencing was referenced to grid the deliverables.
Client: Asian Film Archive
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